The Shakespeare North Playhouse : Replica Theatres and Their Uses
Tim Keenan
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Eugene O'Neill's Philosophy of Difficult Theatre : Pity, Fear, and Forgiveness
Jeremy Killian
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French Theatre, Orientalism, and the Representation of India, 1770-1865 : India Lost and Regained
David Hammerbeck
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Commedia dell’Arte for the 21st Century : Practice and Performance in the Asia-Pacific
Corinna (University of South Australia, Australia) Di Niro
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Mysticism in the Theater : What’s Needed Right Now
Tom Block
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Marginality Beyond Return : US Cuban Performances in the 1980s and 1990s
Lillian Manzor
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Christoph Schlingensief's Realist Theater
Ilinca Todorut
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Shakespeare’s Contested Nations : Race, Gender, and Multicultural Britain in Performances of the History Plays
L. Monique Pittman
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Boundaries of Violence in Early Modern England
Samantha Dressel
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Genre Transgressions : Dialogues on Tragedy and Comedy
Ramona Mosse
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Theatre, Exhibition, and Curation : Displayed & Performed
Georgina Guy
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Lessons from Shakespeare’s Classroom : Empowering Learning Through Drama and Rhetoric
Robin Lithgow
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Lessons from Shakespeare’s Classroom : Empowering Learning Through Drama and Rhetoric
Robin Lithgow
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Shakespeare, Theatre, and Time
Matthew Wagner
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Notelets of Filth : A Companion Reader to Morgan Lloyd Malcolm's Emilia
Laura Kressly
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Notelets of Filth : A Companion Reader to Morgan Lloyd Malcolm's Emilia
Laura Kressly
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Hellenic Common : Greek Drama and Cultural Cosmopolitanism in the Neoliberal Era
Philip Zapkin
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Aotearoa New Zealand in the Global Theatre Marketplace : Travelling Theatre
James Wenley
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Forms of Emotion : Human to Nonhuman in Drama, Theatre and Contemporary Performance
Peta Tait
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Poetic Images, Presence, and the Theater of Kenotic Rituals
Eniko Sepsi
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Poetic Images, Presence, and the Theater of Kenotic Rituals
Eniko Sepsi
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Crossing Cultural Borders Through the Actor's Work : Foreign Bodies of Knowledge
Claudia Tatinge Nascimento
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Notelets of Filth : A Companion Reader to Morgan Lloyd Malcolm's Emilia
Laura Kressly
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