Opera Outside the Box : Notions of Opera in Nineteenth-Century Britain
Roberta Montemorra (University of Massachusetts, USA) Marvin
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Digital Scenography in Opera in the Twenty-First Century
Caitlin Vincent
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The Original Portrayal of Mozart’s Don Giovanni
Magnus Tessing Schneider
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Masque and Opera in England, 1656-1688
Andrew Walkling
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Morality and Viennese Opera in the Age of Mozart and Beethoven
Martin Nedbal
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National Identity in Contemporary Australian Opera : Myths Reconsidered
Michael Halliwell
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Contextualizing Melodrama in the Czech Lands : In Concert and on Stage
Judith Mabary
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The Business of Opera
Anastasia Belina-Johnson
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Curating Opera : Reinventing the Past Through Museums of Opera and Art
Stephen Mould
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Performing Homer: The Voyage of Ulysses from Epic to Opera
Wendy Heller
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English Dramatick Opera, 1661–1706
Andrew R. Walkling
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Puccini’s La fanciulla del West and American Musical Identity
Kathryn Fenton
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The Grand Theater of the World : Music, Space, and the Performance of Identity in Early Modern Rome
Valeria De Lucca
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Grand Opera Outside Paris : Opera on the Move in Nineteenth-Century Europe
Jens (University of Copenhagen, Denmark) Hesselager
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Musicality in Theatre : Music as Model, Method and Metaphor in Theatre-Making
David Roesner
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Opera Indigene: Re/presenting First Nations and Indigenous Cultures
Pamela Karantonis
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Opera as Soundtrack
Jeongwon Joe
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Performing Salome, Revealing Stories
Clair Rowden
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Opera, Theatrical Culture and Society in Late Eighteenth-Century Naples
Anthony R. DelDonna
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Readying Cavalli's Operas for the Stage : Manuscript, Edition, Production
Ellen Rosand
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Melodramatic Voices: Understanding Music Drama
Sarah Hibberd
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Modernism and the Cult of Mountains: Music, Opera, Cinema
Christopher Morris
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Musical Theatre, Realism and Entertainment
Millie Taylor
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Einstein on the Beach: Opera beyond Drama
Jelena Novak
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