Exception Taken : How France Has Defied Hollywood's New World Order
Jonathan Buchsbaum
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Add to BasketAnxious Cinephilia : Pleasure and Peril at the Movies
Sarah (Assistant Professor of English and Cinema Studies, Colb Keller
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Nico Baumbach
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Add to BasketOn the Screen : Displaying the Moving Image, 1926-1942
Ariel (Department of Communication and Media Studies, Northwes Rogers
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Add to BasketAttack of the Leading Ladies : Gender, Sexuality, and Spectatorship in Classic Horror Cinema
Rhona Berenstein
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Add to BasketSpaces Mapped and Monstrous : Digital 3D Cinema and Visual Culture
Nick Jones
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Add to BasketThe Use and Abuse of Cinema : German Legacies from the Weimar Era to the Present
Eric Rentschler
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Add to BasketPrimitive Passions : Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema
Rey (Duke University) Chow
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Add to BasketLaughing Hysterically : American Screen Comedy of the 1950s
Ed Sikov
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Add to BasketThe Cinema of Max Ophuls : Magisterial Vision and the Figure of Woman
Susan White
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Add to BasketPicturing Japaneseness : Monumental Style, National Identity, Japanese Film
Darrell William Davis
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Picturing Japaneseness : Monumental Style, National Identity, Japanese Film
Darrell William Davis
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Add to BasketThis Mad Masquerade : Stardom and Masculinity in the Jazz Age
Gaylyn Studlar
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Masculine Interests : Homoerotics in Hollywood Film
Robert Lang
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Add to BasketSound Technology and the American Cinema : Perception, Representation, Modernity
James Lastra
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Silent Film Sound
Rick Altman
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Add to BasketGeorge Gallup in Hollywood
Susan (University of Notre Dame) Ohmer
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Add to BasketGeorge Gallup in Hollywood
Susan (University of Notre Dame) Ohmer
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Add to BasketSpecial Effects : Still in Search of Wonder
Michele Pierson
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Add to BasketShivers Down Your Spine : Cinema, Museums, and the Immersive View
Alison Griffiths
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Add to BasketShivers Down Your Spine : Cinema, Museums, and the Immersive View
Alison Griffiths
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Add to BasketWeimar Cinema : An Essential Guide to Classic Films of the Era
Noah (Book Review Editor, Film Quarterly) Isenberg
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Add to BasketShocking Representation : Historical Trauma, National Cinema, and the Modern Horror Film
Adam Lowenstein
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