Elliott Carter's Late Music
John Link
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The Musical Language of Pierre Boulez : Writings and Compositions
Jonathan (University of Victoria, British Columbia) Goldman
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The Spectral Piano : From Liszt, Scriabin, and Debussy to the Digital Age
Marilyn (Dr, New York University) Nonken
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New Music at Darmstadt : Nono, Stockhausen, Cage, and Boulez
Martin (University of Leeds) Iddon
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John Cage and David Tudor : Correspondence on Interpretation and Performance
Martin (University of Leeds) Iddon
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Schoenberg's Twelve-Tone Music : Symmetry and the Musical Idea
Jack (University of Oregon) Boss
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The Graph Music of Morton Feldman
David Cline
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Performance Practice in the Music of Steve Reich
Russell (University of Toronto) Hartenberger
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Stravinsky's Piano : Genesis of a Musical Language
Graham (City University London) Griffiths
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French Music and Jazz in Conversation : From Debussy to Brubeck
Deborah Mawer
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The Orchestral Music of Michael Tippett : Creative Development and the Compositional Process
Thomas (University of Hartford, Connecticut) Schuttenhelm
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Music in Germany since 1968
Alastair (Keele University) Williams
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Harrison Birtwistle's Operas and Music Theatre
David (Cardiff University) Beard
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Ideology in Britten's Operas
J. P. E. (Royal Holloway, University of London) Harper-Scott
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Schoenberg's Atonal Music : Musical Idea, Basic Image, and Specters of Tonal Function
Jack (University of Oregon) Boss
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John Cage and Peter Yates : Correspondence on Music Criticism and Aesthetics
Martin (University of Leeds) Iddon
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Lateness and Modernism : Untimely Ideas about Music, Literature and Politics in Interwar Britain
Sarah (University of Western Australia, Perth) Collins
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Luigi Dallapiccola and Musical Modernism in Fascist Italy
Ben (University of Birmingham) Earle
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Music and Protest in 1968
Beate (Universitat Leipzig) Kutschke
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Britten's Unquiet Pasts : Sound and Memory in Postwar Reconstruction
Heather (University of Virginia) Wiebe
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Musical Witness and Holocaust Representation
Amy Lynn (Dickinson College, Pennsylvania) Wlodarski
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Stravinsky and the Russian Period : Sound and Legacy of a Musical Idiom
Pieter C. (University of California, Santa Barbara) van den Toorn
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Transformations of Musical Modernism
Erling E. (Universitetet i Oslo) Guldbrandsen
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Peter Maxwell Davies, Selected Writings
Peter Maxwell Davies
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