African Cinema: Manifesto and Practice for Cultural Decolonization : Volume 1: Colonial Antecedents, Constituents, Theory, and Articulations
Michael T. Martin
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Ruth Muller-Lindenberg
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Breath in Action : The Art of Breath in Vocal and Holistic Practice
Katya Bloom
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From Street to Screen : Charles Burnett's Killer of Sheep
Michael T. Martin
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Beretta E. Smith-Shomade
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Add to BasketAfrican Cinema: Manifesto and Practice for Cultural Decolonization : Volume 1: Colonial Antecedents, Constituents, Theory, and Articulations
Michael T. Martin
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Add to BasketAfrican Cinema: Manifesto and Practice for Cultural Decolonization : Volume 3: The Documentary Record-Declarations, Resolutions, Manifestos, Speeches
Michael T. Martin
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Add to BasketWatching While Black Rebooted! : The Television and Digitality of Black Audiences
Smith-Shomade Beretta E. Smith-Shomade
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African Cinema: Manifesto and Practice for Cultural Decolonization : Volume 2: FESPACO-Formation, Evolution, Challenges
Michael T. Martin
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Add to BasketAfrican Cinema: Manifesto and Practice for Cultural Decolonization : Volume 2: FESPACO-Formation, Evolution, Challenges
Michael T. Martin
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Add to BasketBarry Jenkins and the Legacies of Slavery : The TV Series Adaptation of The Underground Railroad
Delphine Letort
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Watching While Black Rebooted! : The Television and Digitality of Black Audiences
Beretta E. Smith-Shomade
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Add to BasketRenaissance Shakespeare/Shakespeare Renaissances : Proceedings of the Ninth World Shakespeare Congress
Prochazka Martin Prochazka
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»Refugium einer politikfreien Sphare«? : Musik und Gesellschaft im Rheinland des 19. und 20. Jahrhunderts
Helmut Ronz
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Richard E. Norman and Race Filmmaking
Barbara Tepa Lupack
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Barbara Tepa Lupack
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David C. Wall
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David C. Wall
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David C. Wall
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Race and the Revolutionary Impulse in The Spook Who Sat by the Door
Michael T. Martin
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Michael T. Martin
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