Tradition und Utopie : Zum Verstaendnis der musikalischen Phantasien in Hans Henny Jahnns "Fluss ohne Ufer"- Mit einem Index saemtlicher musikalischer oder musikbezogener Begriffe in Hans Henny Jahnns
Diethelm Zuckmantel
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Tonale «Klischees» als Ausdrucksmittel : Reminiszenzen an traditionelle Harmonik in Claude Debussys "Preludes I & II"
Gregor Fuhrmann
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Johann Georg Ebeling und Paul Gerhardt:- Liedkomposition im Konfessionskonflikt : Die "Geistlichen Andachten"- Berlin 1666/67
Elke Liebig
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Die Sehnsucht zu sehen : Der filmische Blick auf dem Theater- Robert Wilsons "the CIVIL warS"
Uwe Richterich
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