African Documentary Cinema
Alexie (University of Toronto, Canada) Tcheuyap
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The Disaster Film as Social Practice
Joseph (Rhode Island College, United States of America) Zornado
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Epidemic Cinema : The Rise of a Genre
Julia Echeverria
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Hybrid Documentary and Beyond
Rachel Landers
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India's New Independent Cinema : Rise of the Hybrid
Ashvin Immanuel (Queen Mary University of London, UK) Devasundaram
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Melancholy Emotion in Contemporary Cinema : A Spinozian Analysis of Film Experience
Francesco Sticchi
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Ethics of Cinematic Experience : Screens of Alterity
Orna Raviv
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Found Footage Horror Films : A Cognitive Approach
Peter (Oxford Brookes University, UK) Turner
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Affect and Embodied Meaning in Animation : Becoming-Animated
Sylvie Bissonnette
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Post-Production and the Invisible Revolution of Filmmaking : From the Silent Era to Synchronized Sound
George Larkin
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Re-reading the Monstrous-Feminine : Art, Film, Feminism and Psychoanalysis
Nicholas Chare
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Australian Genre Film
Kelly McWilliam
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The Contemporary Femme Fatale : Gender, Genre and American Cinema
Katherine (University of Sussex) Farrimond
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Iranian Cinema in a Global Context : Policy, Politics, and Form
Peter Decherney
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Eco-Trauma Cinema
Anil Narine
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Spaces of the Cinematic Home : Behind the Screen Door
Eleanor Andrews
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Hollywood Action Films and Spatial Theory
Nick Jones
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Rashomon Effects : Kurosawa, Rashomon and their legacies
Blair Davis
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The Western in the Global South
MaryEllen Higgins
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Spectacle in Classical Cinemas : Musicality and Historicity in the 1930s
Tom Brown
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Mobility and Migration in Film and Moving Image Art : Cinema Beyond Europe
Nilgun Bayraktar
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The Camera-Eye Metaphor in Cinema
Christian Quendler
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Early Race Filmmaking in America
Barbara (The Norman Rockwell Museum, USA) Lupack
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Film Text Analysis : New Perspectives on the Analysis of Filmic Meaning
Janina Wildfeuer
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