Shakespeare and (Eco-)Performance History : The Merry Wives of Windsor
Elizabeth Schafer
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Living Death in Early Modern Drama
James Alsop
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Restoration Staging, 1660-74
Tim Keenan
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Desires of Credit in Early Modern Theory and Drama : Commerce, Poesy, and the Profitable Imagination
Brian Sheerin
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Venus’s Palace : Shakespeare and the Antitheatricalists
Reut Barzilai
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Imitation and Contamination of the Classics in the Comedies of Ben Jonson : Guides Not Commanders
Tom Harrison
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Strangeness in Jacobean Drama
Callan Davies
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Shakespeare’s Hobby-Horse and Early Modern Popular Culture
Natalia Pikli
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The Self-Centred Art : Ben Jonson's Parts in Performance
Jakub Boguszak
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Dance Lexicon in Shakespeare and His Contemporaries : A Corpus Based Approach
Fabio Ciambella
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Consent in Shakespeare : What Women Do and Don’t Say and Do in Shakespeare’s Mediterranean Comedies and Origin Stories
Artemis (Loyola University, USA) Preeshl
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Staging Spectatorship in the Plays of Philip Massinger
Joanne Rochester
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Shakespeare and the Cultures of Performance
Paul Yachnin
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Marston, Rivalry, Rapprochement, and Jonson
Charles Cathcart
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Laughing and Weeping in Early Modern Theatres
Matthew Steggle
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The Cultural Uses of the Caesars on the English Renaissance Stage
Lisa Hopkins
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Transnational Exchange in Early Modern Theater
Eric Nicholson
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Women Players in England, 1500–1660 : Beyond the All-Male Stage
Peter Parolin
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Unruly Audiences and the Theater of Control in Early Modern London
Eric Dunnum
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Shakespeare’s Hobby-Horse and Early Modern Popular Culture
Natalia Pikli
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Natalia Pikli
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Facial Hair and the Performance of Early Modern Masculinity
Eleanor Rycroft
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Staging Spectatorship in the Plays of Philip Massinger
Joanne Rochester
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Staging Spectatorship in the Plays of Philip Massinger
Joanne Rochester
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