Genre Beyond Borders : Reassessing Operetta
Bruno Bower
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The Operatic Archive : American Opera as History
Colleen (Queen’s University at Kingston, Canada) Renihan
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Claudio Monteverdi’s Venetian Operas : Sources, Performance, Interpretation
Ellen Rosand
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The Original Portrayal of Mozart’s Don Giovanni
Magnus Tessing Schneider
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Curating Opera : Reinventing the Past Through Museums of Opera and Art
Stephen Mould
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Contextualizing Melodrama in the Czech Lands : In Concert and on Stage
Judith Mabary
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Digital Scenography in Opera in the Twenty-First Century
Caitlin Vincent
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Opera Outside the Box : Notions of Opera in Nineteenth-Century Britain
Roberta Montemorra (University of Massachusetts, USA) Marvin
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Musical Theatre, Realism and Entertainment
Millie Taylor
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Opera as Soundtrack
Jeongwon Joe
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Modernism and the Cult of Mountains: Music, Opera, Cinema
Christopher Morris
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Opera Indigene: Re/presenting First Nations and Indigenous Cultures
Pamela Karantonis
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English Dramatick Opera, 1661–1706
Andrew R. Walkling
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Puccini’s La fanciulla del West and American Musical Identity
Kathryn Fenton
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Grand Opera Outside Paris : Opera on the Move in Nineteenth-Century Europe
Jens (University of Copenhagen, Denmark) Hesselager
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The Business of Opera
Anastasia Belina-Johnson
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National Identity in Contemporary Australian Opera : Myths Reconsidered
Michael Halliwell
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Gretry's Operas and the French Public : From the Old Regime to the Restoration
R.J. Arnold
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Postopera: Reinventing the Voice-Body
Jelena Novak
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Masque and Opera in England, 1656-1688
Andrew Walkling
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Einstein on the Beach: Opera beyond Drama
Jelena Novak
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Morality and Viennese Opera in the Age of Mozart and Beethoven
Martin Nedbal
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The Operas of Rameau : Genesis, Staging, Reception
Graham Sadler
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The Grand Theater of the World : Music, Space, and the Performance of Identity in Early Modern Rome
Valeria De Lucca
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