Cognate Music Theories : The Past and the Other in Musicology (Essays in Honor of John Walter Hill)
Ignacio Prats-Arolas
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Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments : Trash Music
Rachel N. Becker
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Music Performance Encounters : Collaborations and Confrontations
John Koslovsky
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Contemporary Musical Virtuosities
Louise (Monash University, Australia) Devenish
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Shaping Sound and Society : The Cultural Study of Musical Instruments
Stephen (City, University of London, UK) Cottrell
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Music, Place, and Identity in Italian Urban Soundscapes circa 1550-1860
Franco Piperno
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Perspectives on Contemporary Music Theory : Essays in Honor of Kevin Korsyn
Bryan Parkhurst
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Music and Identity in Twenty-First-Century Monasticism
Amanda J. Haste
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Current Directions in Ecomusicology : Music, Culture, Nature
Aaron S. Allen
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Live Electronic Music : Composition, Performance, Study
Friedemann Sallis
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Masculinity in Opera
Philip Purvis
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Paul Dukas: Legacies of a French Musician
Helen Julia Minors
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Medievalism and Nationalism in German Opera : Euryanthe to Lohengrin
Michael S., M.D. Richardson
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Music Video After MTV : Audiovisual Studies, New Media, and Popular Music
Mathias Korsgaard
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Music, Time, and Its Other : Aesthetic Reflections on Finitude, Temporality, and Alterity
Roger (University of California, Los Angeles, USA) Savage
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Global Percussion Innovations : The Australian Perspective
Louise Devenish
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Preserving Popular Music Heritage : Do-it-Yourself, Do-it-Together
Sarah Baker
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Opera in a Multicultural World : Coloniality, Culture, Performance
Mary Ingraham
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Community Custodians of Popular Music's Past : A DIY Approach to Heritage
Sarah Baker
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Burma, Kipling and Western Music : The Riff from Mandalay
Andrew Selth
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Music, Science, and the Rhythmic Brain : Cultural and Clinical Implications
Jonathan Berger
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Popular Music in a Digital Music Economy : Problems and Practices for an Emerging Service Industry
Tim Anderson
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Bodily Expression in Electronic Music : Perspectives on Reclaiming Performativity
Deniz Peters
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Liveness in Modern Music : Musicians, Technology, and the Perception of Performance
Paul Sanden
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