Devised Theater’s Collaborative Performance : Making Masterpieces from Collective Concepts
Telory D Arendell
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Appropriations of Irish Drama in Modern Korean Nationalist Theatre
Hunam Yun
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The Legacy of Stylistic Theatre in the Creation of a Modern Sinhala Drama in Sri Lanka
Lakshmi D. Bulathsinghala
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The Spectre of Tradition and the Aesthetic-Political Movement of Theatre and Performance : An Intercultural Perspective
Min Tian
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Harold Pinter's Shakespeare : Shakespeare's Influence on the Work of Harold Pinter
Charles Morton
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Transfiguring Tragedy : Schopenhauer, Stirner, and Nietzsche in Eugene O’Neill’s Early Plays
Ryder Thornton
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The Politics of Interweaving Performance Cultures : Beyond Postcolonialism
Erika Fischer-Lichte
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Feminist Visions and Queer Futures in Postcolonial Drama : Community, Kinship, and Citizenship
Kanika Batra
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Eugene O'Neill's Philosophy of Difficult Theatre : Pity, Fear, and Forgiveness
Jeremy Killian
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French Theatre, Orientalism, and the Representation of India, 1770-1865 : India Lost and Regained
David Hammerbeck
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Performing the Wound : Practicing a Feminist Theatre of Becoming
Niki Tulk
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Commedia dell’Arte for the 21st Century : Practice and Performance in the Asia-Pacific
Corinna (University of South Australia, Australia) Di Niro
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Mysticism in the Theater : What’s Needed Right Now
Tom Block
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Marginality Beyond Return : US Cuban Performances in the 1980s and 1990s
Lillian Manzor
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Deburau : Pierrot, Mime, and Culture
Edward Nye
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Old Norse Poetry in Performance
Brian McMahon
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Martin Crimp’s Power Plays : Intertextuality, Sexuality, Desire
Vicky Angelaki
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Contemporary Storytelling Performance : Female Artists on Practices, Platforms, Presences
Stephe Harrop
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Genre Transgressions : Dialogues on Tragedy and Comedy
Ramona Mosse
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Ibsen in the Decolonised South Asian Theatre
Sabiha Huq
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Performance, Trauma and Puerto Rico in Musical Theatre
Colleen Rua
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Shakespeare’s Contested Nations : Race, Gender, and Multicultural Britain in Performances of the History Plays
L. Monique Pittman
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Bourdieu in the Studio : Decolonising and Decentering Actor Training Through Ludic Activism
Evi Stamatiou
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