Martin Crimp’s Power Plays : Intertextuality, Sexuality, Desire
Vicky Angelaki
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The Piscatorbuhne Century : Politics and Aesthetics in the Modern Theater After 1927
ew Lichtenberg
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Poetic Images, Presence, and the Theater of Kenotic Rituals
Eniko Sepsi
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Performing Religion on the Secular Stage
Sharon Aronson-Lehavi
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Performing Post-Tariqa Sufism : Making Sacred Space with Mevlevi and Rifai Zikir in Turkey
Esra Cizmeci
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Jerzy Grotowski and Ludwik Flaszen : Five Encounters with the Sages
Juliusz Tyszka
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Forms of Emotion : Human to Nonhuman in Drama, Theatre and Contemporary Performance
Peta Tait
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Opera in Performance : Analyzing the Performative Dimension of Opera Productions
Clemens Risi
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Contemporary Storytelling Performance : Female Artists on Practices, Platforms, Presences
Stephe Harrop
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Home and Away : Lived Experience in Performative Narratives
Leigh Anne Howard
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Puppet and Spirit: Ritual, Religion, and Performing Objects : Volume I Sacred Roots: Material Entities, Consecrating Acts, Priestly Puppeteers
Claudia Orenstein
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Tango and the Dancing Body in Istanbul
Melin Levent Yuna
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Anne Frank on the Postwar Dutch Stage : Performance, Memory, Affect
Remco (Radboud University, The Netherlands) Ensel
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Pandemic Performance : Resilience, Liveness, and Protest in Quarantine Times
Kendra Capece
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Performances that Change the Americas
Stuart Alexander Day
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Surviving Theatre : The Living Archive of Spectatorship
Marco Pustianaz
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The Theatre of Nuclear Science : Weapons, Power, and the Scientists Behind it All
Jeanne Tiehen
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Female Aerialists in the 1920s and Early 1930s : Femininity, Celebrity, and Glamour
Kate Holmes
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Crisis and Communitas : Performative Concepts of Commonality in Arts and Politics
Dorota Sajewska
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360° Circus : Meaning. Practice. Culture
Franziska Trapp
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Ibsen in the Decolonised South Asian Theatre
Sabiha Huq
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Reconstructing Performance Art : Practices of Historicisation, Documentation and Representation
Tancredi Gusman
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Performance, Trauma and Puerto Rico in Musical Theatre
Colleen Rua
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Shakespeare’s Contested Nations : Race, Gender, and Multicultural Britain in Performances of the History Plays
L. Monique Pittman
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