The Routledge Companion to Performance-Related Concepts in Non-European Languages
Erika (Free University of Berlin, Germany) Fischer-Lichte
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The Legacy of Stylistic Theatre in the Creation of a Modern Sinhala Drama in Sri Lanka
Lakshmi D. Bulathsinghala
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Transfiguring Tragedy : Schopenhauer, Stirner, and Nietzsche in Eugene O’Neill’s Early Plays
Ryder Thornton
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Genre Transgressions : Dialogues on Tragedy and Comedy
Ramona Mosse
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Performing Religion on the Secular Stage
Sharon Aronson-Lehavi
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Contemporary Storytelling Performance : Female Artists on Practices, Platforms, Presences
Stephe Harrop
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Ibsen in the Decolonised South Asian Theatre
Sabiha Huq
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Performance, Trauma and Puerto Rico in Musical Theatre
Colleen Rua
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Bourdieu in the Studio : Decolonising and Decentering Actor Training Through Ludic Activism
Evi Stamatiou
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Boundaries of Violence in Early Modern England
Samantha Dressel
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La MaMa Experimental Theatre – A Lasting Bridge Between Cultures : The Dialogue with European Theater in the Years 1961–1975
Monica Cristini
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The Politics of Interweaving Performance Cultures : Beyond Postcolonialism
Erika Fischer-Lichte
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Theatre and Postcolonial Desires
Awam Amkpa
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Adapting Chekhov : The Text and its Mutations
J. Douglas Clayton
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Theatre Translation in Performance
Silvia Bigliazzi
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Performance and Cognition : Theatre Studies and the Cognitive Turn
Bruce McConachie
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Ecology and Environment in European Drama
Downing Cless
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Shakespeare, Theatre, and Time
Matthew Wagner
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Music and Gender in English Renaissance Drama
Katrine Wong
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Translation and Adaptation in Theatre and Film
Katja Krebs
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The Piscatorbuhne Century : Politics and Aesthetics in the Modern Theater After 1927
ew Lichtenberg
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Poetic Images, Presence, and the Theater of Kenotic Rituals
Eniko Sepsi
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Appropriations of Irish Drama in Modern Korean Nationalist Theatre
Hunam Yun
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Feminist Visions and Queer Futures in Postcolonial Drama : Community, Kinship, and Citizenship
Kanika Batra
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