Space and Time in African Cinema and Cine-scapes
Kenneth W. Harrow
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The Disaster Film as Social Practice
Joseph (Rhode Island College, United States of America) Zornado
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Stardom and the Aesthetics of Neorealism : Ingrid Bergman in Rossellini's Italy
Ora Gelley
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India's New Independent Cinema : Rise of the Hybrid
Ashvin Immanuel (Queen Mary University of London, UK) Devasundaram
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Post-Production and the Invisible Revolution of Filmmaking : From the Silent Era to Synchronized Sound
George Larkin
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Neoliberalism and Global Cinema : Capital, Culture, and Marxist Critique
Jyotsna Kapur
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Cinema and Inter-American Relations : Tracking Transnational Affect
Adrian Perez Melgosa
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Cine-Ethics : Ethical Dimensions of Film Theory, Practice, and Spectatorship
Jinhee Choi
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Cinematic Emotion in Horror Films and Thrillers : The Aesthetic Paradox of Pleasurable Fear
Julian Hanich
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India's New Independent Cinema : Rise of the Hybrid
Ashvin Immanuel Devasundaram
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Film Text Analysis : New Perspectives on the Analysis of Filmic Meaning
Janina Wildfeuer
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Mobility and Migration in Film and Moving Image Art : Cinema Beyond Europe
Nilgun Bayraktar
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Spaces of the Cinematic Home : Behind the Screen Door
Eleanor Andrews
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Cinema, Memory, Modernity : The Representation of Memory from the Art Film to Transnational Cinema
Russell J.A. Kilbourn
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Epidemic Cinema : The Rise of a Genre
Julia Echeverria
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Hybrid Documentary and Beyond
Rachel Landers
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Horror Film and Affect : Towards a Corporeal Model of Viewership
Xavier Aldana Reyes
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India's New Independent Cinema : Rise of the Hybrid
Ashvin Immanuel (Queen Mary University of London, UK) Devasundaram
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