Early Race Filmmaking in America
Barbara (The Norman Rockwell Museum, USA) Lupack
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US Youth Films and Popular Music : Identity, Genre, and Musical Agency
Tim McNelis
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The Contemporary Femme Fatale : Gender, Genre and American Cinema
Katherine Farrimond
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Film Comedy and the American Dream
Zach Sands
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Landscape and Memory in Post-Fascist Italian Film : Cinema Year Zero
Giuliana Minghelli
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Asian Cinema and the Use of Space : Interdisciplinary Perspectives
Lilian Chee
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Moralizing Cinema : Film, Catholicism, and Power
Daniel Biltereyst
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American and Chinese-Language Cinemas : Examining Cultural Flows
Lisa Funnell
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Korea's Occupied Cinemas, 1893-1948 : The Untold History of the Film Industry
Brian Yecies
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Horror Film and Affect : Towards a Corporeal Model of Viewership
Xavier Aldana Reyes
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Postwar Renoir : Film and the Memory of Violence
Colin Davis
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Cinema and Language Loss : Displacement, Visuality and the Filmic Image
Tijana Mamula
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Lesbianism, Cinema, Space : The Sexual Life of Apartments
Lee Wallace
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The Politics of Age and Disability in Contemporary Spanish Film : Plus Ultra Pluralism
Matthew J. Marr
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Cine-Ethics : Ethical Dimensions of Film Theory, Practice, and Spectatorship
Jinhee Choi
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The Woman's Film of the 1940s : Gender, Narrative, and History
Alison L. (San Jose State University, USA) McKee
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Film and the American Presidency
Jeff Menne
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American Documentary Filmmaking in the Digital Age : Depictions of War in Burns, Moore, and Morris
Lucia Ricciardelli
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Spanish Cinema in the Global Context : Film on Film
Samuel Amago
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Cinematic Emotion in Horror Films and Thrillers : The Aesthetic Paradox of Pleasurable Fear
Julian Hanich
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Distributing Silent Film Serials : Local Practices, Changing Forms, Cultural Transformation
Rudmer Canjels
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Nation and Identity in the New German Cinema : Homeless at Home
Inga Scharf
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Hollywood Melodrama and the New Deal : Public Daydreams
Anna Siomopoulos
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Japanese Horror Films and their American Remakes
Valerie Wee
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