Exhibiting Italian Art in the United States from Futurism to Arte Povera : 'Like a Giant Screen'
Raffaele Bedarida
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Pamela (Ecole Superieure d'Art et Design Toulon) Bianchi
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Matthew Rampley
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Malene Vest Hansen
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The Venice Biennale and the Asia-Pacific in the Global Art World
Stephen Naylor
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Stephen Naylor
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Roann (Radford University, USA) Barris
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Antje (Murray State University in Kentucky, USA) Gamble
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Natasha Adamou
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Add to BasketContemporary Curating, Artistic Reference and Public Reception : Reconsidering Inclusion, Transparency and Mediation in Exhibition Making Practice
Stephanie (School of Architecture at Aristotle University, G Bertrand
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Add to BasketThe Twentieth Century German Art Exhibition : Answering Degenerate Art in 1930s London
Lucy Wasensteiner
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The Twentieth Century German Art Exhibition : Answering Degenerate Art in 1930s London
Lucy Wasensteiner
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The Venice Biennale and the Asia-Pacific in the Global Art World
Stephen Naylor
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Curatorial Challenges : Interdisciplinary Perspectives on Contemporary Curating
Malene Vest Hansen
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Curating the Contemporary in the Art Museum
Malene Vest Hansen
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Elke Krasny
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Add to BasketExhibiting Italian Art in the United States from Futurism to Arte Povera : 'Like a Giant Screen'
Raffaele Bedarida
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Add to BasketThe Twentieth Century German Art Exhibition : Answering Degenerate Art in 1930s London
Lucy Wasensteiner
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Add to BasketDisplaying Art in the Early Modern Period : Exhibiting Practices and Exhibition Spaces
Pamela (Ecole Superieure d'Art et Design Toulon) Bianchi
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Margaret Tali
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Add to BasketA History of Aboriginal Art in the Art Gallery of New South Wales
Vanessa Russ
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Vanessa Russ
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