The Mack : Charles Rennie Mackintosh and the Glasgow School of Art
Robyne Calvert
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Rene Magritte : The Artist's Materials
Catherine Defeyt
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Architectures of Colonialism : Constructed Histories, Conflicting Memories
Vera Egbers
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Documentation as Art : Expanded Digital Practices
Annet Dekker
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Creating the Perfect Form : How to Interpret and Display Historic Dress
Janet Wood
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Creating the Perfect Form : How to Interpret and Display Historic Dress
Janet Wood
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The Posthumous Papers of the Manuscripts Club
Christopher de Hamel
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The Science For Conservators Series : Volume 3: Adhesives and Coatings
C.V. Horie
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Chinese Wallpaper in Britain and Ireland
Emile de Bruijn
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Provenance - An Alternate History of Art
Gail Feigenbaum
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Sam Francis - The Artist's Materials
Debra Burchett-Lere
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The Guardians of Art : Conversations with Major Collectors
Dani Levinas
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Herculaneum and the House of the Bicentenary : History and Heritage
Sarah Court
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The Artist's Materials
Corina E. Rogge
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Iron from Tutankhamun's Tomb
Katja Broschat
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Art Markets, Agents and Collectors : Collecting Strategies in Europe and the United States, 1550-1950
Adriana (IESA International Programmes, France) Turpin
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Renaissance Secrets : A Lifetime Working with Wall Paintings by Michelangelo, Raphael, and Others at the Vatican
Maurizio De Luca
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Deaccessioning and its Discontents : A Critical History
Martin (President, Pergamon Art Group) Gammon
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Face to Face with Hugo van der Goes : Old Master, New Interpretation
Marijn Everaarts
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The Arts of Africa : Studying and Conserving the Collection; Virginia Museum of Fine Arts
Richard B. Woodward
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Venetian Glassworks : Carla Nasci - Ferruccio Franzoia Collection
Tiziana Casagrande
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