How to Write for Percussion : A Comprehensive Guide to Percussion Composition
Samuel Z. (Coordinator of Percussion, Coordinator of Percussi Solomon
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Inside the Recording Studio : Working with Callas, Rostropovich, Domingo, and the Classical Elite
Peter Andry
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Vinyl : The Analogue Record in the Digital Age
Dominik Bartmanski
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Singing the Body Electric: The Human Voice and Sound Technology
Miriama Young
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Audio Production Principles : Practical Studio Applications
Stephane (Lecturer, Lecturer, SAE Institute - Brisbane) Elmosnino
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Live Electronic Music : Composition, Performance, Study
Friedemann Sallis
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The Musicology of Record Production
Simon Zagorski-Thomas
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Understanding Video Game Music
Tim (Royal Holloway, University of London) Summers
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Recording Tips for Engineers : For Cleaner, Brighter Tracks
Tim Crich
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Musical Listening in the Age of Technological Reproduction
Gianmario Borio
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Music Production Methods : A Concise Guide for Understanding Your Role, Process, and Order
Josh Bess
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Musical Signal Processing
Curtis Roads
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Nashville Cats : Record Production in Music City
Travis D. (Associate Professor of Musicology, Associate Pro Stimeling
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The Oxford Handbook of Technology and Music Education
S. Alex (Assistant Professor of Music Education, Assistant P Ruthmann
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The Music Technology Cookbook : Ready-Made Recipes for the Classroom
adam patrick (Associate Professor of Music Education, Associate bell
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Scratch Music Projects
Andrew R. (Professor of Digital Arts, Professor of Digital Arts Brown
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Arduino for Musicians : A Complete Guide to Arduino and Teensy Microcontrollers
Brent (Associate Professor: jazz studies, theory, composition Edstrom
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Music and the Broadcast Experience : Performance, Production, and Audiences
Christina (Associate Professor, Communication Studies, Associat Baade
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Music and the Broadcast Experience : Performance, Production, and Audiences
Christina (Associate Professor, Communication Studies, Associat Baade
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The History of Music Production
Richard James (Director of Marketing and Sales, Director of M Burgess
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Sonic Virtuality : Sound as Emergent Perception
Mark (Professor of Music, Professor of Music, University of Grimshaw
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Playing Along : Digital Games, YouTube, and Virtual Performance
Kiri (Assistant Professor of Music, Assistant Professor of Mus Miller
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Composing for Moving Pictures : The Essential Guide
Jason M. (Professional trainer, Apple Computers, and Freelance Gaines
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Unruly Media : YouTube, Music Video, and the New Digital Cinema
Carol (Lecturer in Media Studies, Lecturer in Media Studies Vernallis
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