Format Friction : Perspectives on the Shellac Disc
Gavin Williams
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Music, the Market, and the Marvellous : Parisian Feerie, 1864-1900
Tommaso (Marie Sklodowska-Curie Global Postdoctoral Fellow, Sabbatini
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Song in the Novel
Jennifer (Associate Professor in French and Comparative Lit Rushworth
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Bach's Art of Fugue and Musical Offering
Matthew (Professor of Music, Professor of Music, University of Dirst
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Acoustics of Empire : Sound, Media, and Power in the Long Nineteenth Century
Peter (Associate Professor of Music, Associate Professor of McMurray
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Before We Teach Music : The Resonant Legacies of Childhoods and Children
Lori A. (Professor of Music and Music Education, Professor Custodero
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Music in Profile : Twelve Performance Studies
John (Professor, Professor, University of Cambridge) Rink
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Shostakovich's Symphony No. 5
Marina (Professor of Music History, Professor of Music Frolova-Walker
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The Oxford Handbook of Music Composition Pedagogy
Michele (Professor of Music and Director of Music Teacher Edu Kaschub
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Classical and Romantic Performing Practice
Clive (Emeritus Professor of Applied Musicology, Emeritus Profe Brown
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Life 24x a Second : Cinema, Selfhood, and Society
Elsie (Professor of Cinema Studies, Professor of Cinema Studie Walker
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The Oxford Handbook of Community Singing
Esther M. (Associate Professor of Music History, Associa Morgan-Ellis
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The Classroom Guide to Jazz Improvisation
John (Professor Emeritus, New England Conservatory of Music, P McNeil
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Postgraduate Research in Music : A Step-by-Step Guide to Writing a Thesis
Victoria (Adjunct Associate Professor, Adjunct Associate Profe Rogers
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SuperCollider for the Creative Musician : A Practical Guide
Eli (Assistant Professor of Music Composition-Theory, Assi Fieldsteel
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Spectacular Listening : Music and Disability in the Digital Age
Byrd (Assistant Director of Student Development, Assistant D McDaniel
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Paul Robeson's Voices
Grant (Music Historian and Lecturer, Music Historian and Lectu Olwage
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Voice, Slavery, and Race in Seventeenth-Century Florence
Emily (Associate Professor of Musicology, Associate Profess Wilbourne
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Four Ways of Hearing Video Game Music
Michiel (Assistant Professor of Musicology, Assistant Professor Kamp
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Pierre Boulez : The Formative Years
Joseph, Jr. (Associate Professor in Musicology, Associate Profe Salem
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Transforming Choral Singing : An Activist's Guide for Choir Directors
Charles W. (Artistic Director, Artistic Director, San Diego Gay Beale
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Sounds as They Are : The unwritten music in classical recordings
Richard (Assistant Professor of Music, Assistant Professor o Beaudoin
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Swinglines : Rhythm, Timing, and Polymeter in Musical Phrasing
Fernando (Professor of Music, Professor of Music, American Un Benadon
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Constructing Music : Musical Explorations in Creative Coding
Teresa M. (Professor of Music, Design, and Creative Technology, Nakra
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