Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments : Trash Music
Rachel N. Becker
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International Who's Who in Classical Music 2024
Europa Publications
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Behind the Scenes of Indie Film Marketing : A FilmSnobbery Field Guide
Nicholas LaRue
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Writing Choreography : Textualities of and beyond Dance
Leena Rouhiainen
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Film, Form, and Culture
Robert P. (University of Maryland, USA) Kolker
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Equality Dancesport : Gender and Sexual Identities Matter
Yen Nee (Edinburgh Napier University, UK) Wong
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Video Production : Disciplines and Techniques
James C. (Bowling Green State University, USA) Foust
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Video Production : Disciplines and Techniques
James C. (Bowling Green State University, USA) Foust
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The Intimacy Coordinator's Guidebook : Specialties for Stage and Screen
Brooke M. Haney
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Art of the Cut : Conversations with Film and TV Editors, Volume II
Steve Hullfish
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Navigating Stylistic Boundaries in the Music History Classroom : Crossover, Exchange, Appropriation
Esther M. Morgan-Ellis
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Reimagining Community Festivals and Events : Critical and Interdisciplinary Perspectives
Allan Stewart Jepson
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To Repair the World : Zelda Fichandler and the Transformation of American Theater
Mary B. Robinson
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Music, Subcultures and Migration : Routes and Roots
Elke (University of Sussex, Brighton (UK)) Weesjes
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The Theological Power of Film
James Lorenz
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Teenage Boys, Musical Identities, and Music Education : An Australian Narrative Inquiry
Jason Goopy
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Music as Agency : Diversities of Perspectives on Artistic Citizenship
Maria (Rhythmic Music Conservatory, Denmark) Westvall
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The Music Business for Music Creators : Industry Mechanics for Contemporary Creators
Jonny Amos
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The American City in Crime Films : Criminology and the Cinematic City
Andrew J. (SUNY, Brockport) Baranauskas
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Artificial Intelligence, Co-Creation and Creativity : The New Frontier for Innovation
Francisco Tigre (IU International University of Applied Science Moura
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Living the Dream : Building a Sustainable Career in the Performing Arts
Kirstin Chavez
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Decentralized Music : Exploring Blockchain for Artistic Research
Paulo De Assis
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Critical Readings on Hammer Horror Films
Fernando Gabriel (Universidad de Buenos Aires, Argentin Pagnoni Berns
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Feminist Literary and Filmic Cultures for Social Action : Gender Response-able Labs
Beatriz (Centre for Research, Education, Innovatio Revelles-Benavente
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