Do I Bark Like a Dog? : How an Italian Family History Shaped a Boy in London
Michael Volpe
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Screening the Operatic Stage : Television and Beyond
Christopher Morris
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Why Beethoven : A Phenomenon in 100 Pieces
Norman Lebrecht
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Said on Opera
Edward (c/o The Wylie Agency) Said
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Callas: Images of a Legend
Attila Csampai
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The Cambridge Companion to The Magic Flute
Jessica (College of the Holy Cross, Massachusetts) Waldoff
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Bill Viola : Love/Death - The Tristan Project
Peter Sellars
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Picture a day like this (Limited Edition Full Score)
George Benjamin
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Wagner's Theatre : In Search of a Legacy
Patrick Carnegy
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The Operetta Empire : Music Theater in Early Twentieth-Century Vienna
Micaela Baranello
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Picture a day like this (First Edition Vocal Score)
George Benjamin
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Opera as Art : Philosophical Sketches
Paul Thom
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Italian Opera in Global and Transnational Perspective : Reimagining Italianita in the Long Nineteenth Century
Axel (University College London) Korner
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Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments : Trash Music
Rachel N. Becker
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Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments : Trash Music
Rachel N. Becker
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The Year that Made the Musical : 1924 and the Glamour of Musical Theatre
William A. (University of Missouri, Kansas City) Everett
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Opera Outside the Box : Notions of Opera in Nineteenth-Century Britain
Roberta Montemorra (University of Massachusetts, USA) Marvin
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Tradition, Community, and Nationhood in Richard Wagner’s 'Die Meistersinger von Nurnberg'
Christopher Kimbell
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Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments : Trash Music
Rachel N. Becker
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The Nurse in History and Opera: From Servant to Sister
Judith Barger
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Music, the Market, and the Marvellous : Parisian Feerie, 1864-1900
Tommaso (Marie Sklodowska-Curie Global Postdoctoral Fellow, Sabbatini
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The Marques, the Divas, and the Castrati : Gaspar de Haro y Guzman and Opera in the Early Modern Spanish Orbit
Louise K. (Professor of Musicology, Medieval and Early Modern S Stein
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