Analyzing Classical Form : An Approach for the Classroom
William E. Caplin
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Digital Compositing for Film and Video : Production Workflows and Techniques
Steve Wright
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Consuming Music in the Digital Age : Technologies, Roles and Everyday Life
Raphael Nowak
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Algorithmic Composition : Paradigms of Automated Music Generation
Gerhard Nierhaus
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Inside Bluebeard's Castle : Music and Drama in B?la Bart?k's Opera
Carl S. Leafstedt
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Using Film and Media in the Language Classroom : Reflections on Research-led Teaching
Carmen Herrero
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Explorations in New Cinema History : Approaches and Case Studies
Richard Maltby
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Making Meaning : Inference and Rhetoric in the Interpretation of Cinema
David Bordwell
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Analog Days : The Invention and Impact of the Moog Synthesizer
Trevor Pinch
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The Musical Art of Synthesis
Sam (University of Colorado, Denver, CO; Appalachian State Un McGuire
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Analysis of 18th- and 19th-Century Musical Works in the Classical Tradition
David (University of Toronto, Canada) Beach
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Existential Media : A Media Theory of the Limit Situation
Amanda Lagerkvist
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The Emotional Power of Music : Multidisciplinary perspectives on musical arousal, expression, and social control
Tom Cochrane
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Musical Imaginations : Multidisciplinary perspectives on creativity, performance and perception
David Hargreaves
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From Paris to Peoria : How European Piano Virtuosos Brought Classical Music to the American Heartland
R. Allen Lott
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