Biennials : The Exhibitions we Love to Hate
Rafal Niemojewski
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The $12 Million Stuffed Shark : The Curious Economics of Contemporary Art
Don Thompson
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Models of Integrity : Art and Law in Post-Sixties America
Joan Kee
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London and the Emergence of a European Art Market, 1780-1820
Susanna Avery-Quash
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Speculation as a Mode of Production : Forms of Value Subjectivity in Art and Capital
Marina Vishmidt
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Entrepreneurship for the Creative and Cultural Industries
Bonita M. Kolb
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Art Markets, Agents and Collectors : Collecting Strategies in Europe and the United States, 1550-1950
Adriana (IESA International Programmes, France) Turpin
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The Business of Being an Artist
Daniel Grant
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The Tastemakers - British Dealers and the Anglo-Gallic Interior, 1785-1865
Diana Davis
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Re-issue, Re-imagine, Re-make : Appropriation in Contemporary Furniture Design
Elisabeth Darby
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A Tale of Two Monkeys : Adventures in the Art World
Anthony Speelman
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Museum Marketization : Cultural Institutions in the Neoliberal Era
Karin M. Ekstrom
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Starting Your Career as an Artist : A Guide to Launching a Creative Life
Angie Wojak
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Taoisigh and the Arts
Kevin Rafter
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Material Literacy in 18th-Century Britain : A Nation of Makers
Serena (De Montfort University, UK) Dyer
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Memories of a London Fine Art Dealer
Alexander Wengraf
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From Printing to Streaming : Cultural Production under Capitalism
Michael (University of Roehampton) Chanan
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Collecting Prints, Posters, and Ephemera : Perspectives in a Global World
Dr. Ruth (Professor) E. Iskin
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Making the Most of Your Creative Output : Generating income from your creative talent
Ian Shipley
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