Deconstructing the Elements with 3ds Max : Create natural fire, earth, air and water without plug-ins
Pete Draper
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The Musical Art of Synthesis
Sam (University of Colorado, Denver, CO; Appalachian State Un McGuire
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After Effects and Cinema 4D Lite : 3D Motion Graphics and Visual Effects Using CINEWARE
Chris Jackson
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Diversity and Design : Understanding Hidden Consequences
Beth (The State University of New York at Buffalo, New York, US Tauke
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The Design Studio Method : Creative Problem Solving with UX Sketching
Brian Sullivan
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Arts-Based Methods for Decolonising Participatory Research
Tiina Seppala
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Festivals and the Cultural Public Sphere
Gerard (University of Sussex, UK) Delanty
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The Science For Conservators Series : Volume 3: Adhesives and Coatings
Conservation Unit Museums and Galleries Commission
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Avid Uncut : Workflows, Tips, and Techniques from Hollywood Pros
Steve (Editor/Producer, provideocoalition.com, USA) Hullfish
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The Director's Craft : A Handbook for the Theatre
Katie (The Royal National Theatre, UK) Mitchell
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Animate to Harmony : The Independent Animator's Guide to Toon Boom
Adam Phillips
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Pro Tools 11 : Music Production, Recording, Editing, and Mixing
Mike (Studio musician, recording engineer, and producer) Collins
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Differencing the Canon : Feminism and the Writing of Art's Histories
Griselda Pollock
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Differencing the Canon : Feminism and the Writing of Art's Histories
Griselda Pollock
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Format: eBook (EPUB)
