Performativity in the Gallery : Staging Interactive Encounters
J. Barrie Bullen
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Staging the Other in Nineteenth-Century British Drama
Isobel Armstrong
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Stanislavski in Practice : Exercises for Students
Nick (The Stanislavski Experience, UK) O'Brien
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The Routledge Companion to Jacques Lecoq
Mark Evans
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Acting in the Academy : The History of Professional Actor Training in US Higher Education
Peter Zazzali
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Acting One
Robert Cohen
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Antonin Artaud
Blake Morris
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Shakespeare & Company : When Action is Eloquence
Bella Merlin
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Owning Our Voices : Vocal Discovery in the Wolfsohn-Hart Tradition
Margaret Pikes
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Deburau : Pierrot, Mime, and Culture
Edward Nye
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European Performative Theatre : The issues, problems and techniques of crucial masterpieces
Annamaria Cascetta
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The Michael Chekhov Handbook : For the Actor
Lenard Petit
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The Routledge Comedy Studies Reader
Ian Wilkie
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Acting after Grotowski : Theatre’s Carnal Prayer
Kris Salata
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Style for Actors : A Handbook for Moving Beyond Realism
Robert (University of Oregon, USA) Barton
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Games for Actors and Non-Actors
Augusto Boal
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Roy Hart
Kevin Crawford
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Teaching Acting with Practical Aesthetics
Troy Dobosiewicz
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Acting in Musical Theatre : A Comprehensive Course
Joe Deer
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Your Body Knows : A Movement Guide for Actors
PhD, Meade Andrews
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The Reason to Sing : A Guide to Acting While Singing
Craig Carnelia
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Experiencing Speech: A Skills-Based, Panlingual Approach to Actor Training : A Beginner's Guide to Knight-Thompson Speechwork®
Andrea Caban
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Re-Purposing Suzuki : A Hybrid Approach to Actor Training
Maria Porter
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Application of the Michael Chekhov Technique to Shakespeare’s Sonnets, Soliloquies and Monologues
Mark Monday
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