Experiencing Speech: A Skills-Based, Panlingual Approach to Actor Training : A Beginner's Guide to Knight-Thompson Speechwork®
Andrea Caban
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Re-Purposing Suzuki : A Hybrid Approach to Actor Training
Maria Porter
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Application of the Michael Chekhov Technique to Shakespeare’s Sonnets, Soliloquies and Monologues
Mark Monday
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Mime into Physical Theatre: A UK Cultural History 1970–2000
Mark Evans
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The Elements of Theatrical Expression
Brian Kulick
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The Shakespeare Masterclasses
Ron Destro
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A World Elsewhere
Steven Berkoff
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Inclusive Character Analysis : Putting Theory into Practice for the 21st Century Theatre Classroom
Jennifer Thomas
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American Accent Drills for British and Australian Speakers
Amanda Quaid
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The Routledge Companion to Vsevolod Meyerhold
Jonathan Pitches
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In Search of Stanislavsky’s Creative State on the Stage : With a Practice as Research Case Study
Gabriela Curpan
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Lessons from The Maestro : Crafting a Successful Fight/Stunt Career in Theatre and Film
David L. (Fight Director, USA) Boushey
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Devised Theater’s Collaborative Performance : Making Masterpieces from Collective Concepts
Telory D Arendell
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Inclusivity and Equality in Performance Training : Teaching and Learning for Neuro and Physical Diversity
Petronilla Whitfield
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Contemporary Storytelling Performance : Female Artists on Practices, Platforms, Presences
Stephe Harrop
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Creating Improvised Theatre : Tools, Techniques, and Theories for Short Form and Narrative Improvisation
Mark Jane
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The Art of Knife Fighting for Stage and Screen : An Actor’s and Director’s Guide to Staged Violence
Erick Vaughn Wolfe
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Foundations for Performance Training : Skills for the Actor-Dancer
Cara Harker
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Puppet and Spirit: Ritual, Religion, and Performing Objects : Volume I Sacred Roots: Material Entities, Consecrating Acts, Priestly Puppeteers
Claudia Orenstein
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Mythic Imagination and the Actor : Exercises, Inspiration, and Guidance for the 21st Century Actor
Marissa (California Institute of the Arts, Los Angeles, CA) Chibas
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Actors on Guard : Training, Rehearsal and Performance Techniques with the Rapier and Dagger for the Stage and Screen
Dale Anthony Girard
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Why the Theatre : In Personal Essays, College Teachers, Actors, Directors, and Playwrights Tell Why the Theatre Is So Vital to Them
Sidney (University of Florida, USA) Homan
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Latinx Actor Training
Cynthia Santos DeCure
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The Routledge Companion to Performance Practitioners
Franc (University of Huddersfield, UK) Chamberlain
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