Foundations for Performance Training : Skills for the Actor-Dancer
Cara Harker
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Marissa (California Institute of the Arts, Los Angeles, CA) Chibas
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Add to BasketActresses as Working Women : Their Social Identity in Victorian Culture
Tracy C. Davis
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Richard C. Beacham
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Add to BasketDORIAN AEGEAN
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Thomas de Mallet Burgess
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Oliver Crick
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Add to BasketTo the Actor : On the Technique of Acting
Michael Chekhov
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Franc (University of Huddersfield, Ireland) Chamberlain
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Acting (Re)Considered : A Theoretical and Practical Guide
Phillip B. Zarrilli
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Pamela Robertson Wojcik
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Add to BasketMerely Players? : Actors' Accounts of Performing Shakespeare
Jonathan Holmes
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Add to BasketScience and the Stanislavsky Tradition of Acting
Jonathan (University of Leeds, UK The University of Leeds, Un Pitches
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Add to BasketPsychophysical Acting : An Intercultural Approach after Stanislavski
Phillip B. Zarrilli
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Add to BasketStage Presence
Jane (University of Western Sydney, Australia) Goodall
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Add to BasketAnd Then, You Act : Making Art in an Unpredictable World
Anne (Siti Theatre Company New York, USA) Bogart
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Add to BasketAward Monologues for Men
Patrick (The Original Shakespeare Company, London, UK) Tucker
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Patrick (The Original Shakespeare Company, London, UK) Tucker
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David (Tel Aviv University, Israel) Zinder
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Alison Hodge
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Add to BasketThe Vakhtangov Sourcebook
Andrei Malaev-Babel
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Sam Kogan
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