What Would Garrick Do? Or, Acting Lessons from the Eighteenth Century
James Harriman-Smith
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What Would Garrick Do? Or, Acting Lessons from the Eighteenth Century
James Harriman-Smith
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Acting for Singers : Creating Believable Singing Characters
David F. Ostwald
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Storytelling Professionally : The Nuts and Bolts of a Working Performer
Geisler Harlynne Geisler
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An Actor's Craft : The Art and Technique of Acting
Krasner David Krasner
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Modern Theories of Performance : From Stanislavski to Boal
Milling Jane Milling
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Szenen-Macher : Wagner-Regie vom 19. Jahrhundert bis heute
Katharina Wagner
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De l'Informe, du Difforme, du Conforme au theatre : Sur la scene europeenne, en Italie et en France
Butel Yannick Butel
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Theatre et reception : Le spectateur postdramatique
Bouko Catherine Bouko
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Contemporary Irish Theatre : Transnational Practices
Wei H. Kao Wei H.
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Contemporary Irish Theatre : Transnational Practices
Wei H. Kao Wei H.
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Bloody Living : The Loss of Selfhood in the Plays of Marina Carr
Rhona Trench
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Liminal Borderlands in Irish Literature and Culture
Gilsenan Nordin Irene Gilsenan Nordin
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The Art of Unarmed Stage Combat
Robert (Assistant Professor, University of Michigan) Najarian
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The Art of Unarmed Stage Combat
Robert (Assistant Professor, University of Michigan) Najarian
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The Theatrical Firearms Handbook
Kevin (Certified Teacher and Theatrical Firearms Instructor, S Inouye
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The Theatrical Firearms Handbook
Kevin (Certified Teacher and Theatrical Firearms Instructor, S Inouye
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The Moon Rises from the Ganges : My journey through Asian acting techniques
Eugenio Barba
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