The Actors' Crucible : Port Talbot and the Making of Burton, Hopkins, Sheen and All the Others
Prof. Angela V. John
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Roaring Boys : Playwrights and Players in Elizabethan and Jacobean England
Judith Cook
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David Mamet : A Life in the Theatre
I. Nadel
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Shooting the Actor
Simon Callow
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Covering Shakespeare : An Actor's Saga of Near Misses and Dogged Endurance
David Weston
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The Lear Diaries : The Story of the Royal National Theatre's Productions of Shakespeare's Richard III and King Lear
Brian Cox
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The Cambridge Introduction to Tom Stoppard
William (Louisiana State University) Demastes
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Stanislavsky in the World : The System and its Transformations Across Continents
Jonathan (University of Leeds, UK) Pitches
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Directors : From Stage to Screen and Back Again
Susan Beth Lehman
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A Year with the Producers : One Actor's Exhausting (But Worth It) Journey from Cats to Mel Brooks' Mega-Hit
Jeffry Denman
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Contemporary European Theatre Directors
Maria M. Delgado
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Sarah : The Life of Sarah Bernhardt
Robert Gottlieb
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Acting and How to Survive it : Everything you wanted to know about acting but were too afraid to ask...
Peter Feeney
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Reza Abdoh
Charlie Fox
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Beckett, Lacan and the Voice
Llewellyn Brown
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Live Literature : The Experience and Cultural Value of Literary Performance Events from Salons to Festivals
Ellen Wiles
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The Worlds of Wolf Mankowitz : Between Elite and Popular Cultures in Post-War Britain
Anthony J. Dunn
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Rough Magic : Behind the Scenes of the Royal Shakespeare Company
Steven Adler
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Performing Women : Stand-Ups, Strumpets and Itinerants
Alison Oddey
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The Routledge Companion to Michael Chekhov
MARIE-CHRISTINE AUTANT-MATHIEU
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Documents of Performance in Early Modern England
Tiffany (University of Oxford) Stern
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The Theatrical Public Sphere
Christopher B. (Universitat Munchen) Balme
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The Uncapturable : The Fleeting Art of Theatre
Ruben Szuchmacher
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Ruth Maleczech at Mabou Mines : Woman's Work
Jessica Silsby (Visiting Assistant Professor & Theater Program Brater
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