Charles Villiers Stanford: Man and Musician : Revised and Expanded Edition
Jeremy Dibble
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The Island Book of Records Volume I : 1959-68
Neil Storey
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dots on paper : Philip Glass by Andreas H. Bitesnich
Andreas H. Bitesnich
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Throbbing Gristle : An Endless Discontent
Ian (Independent Scholar) Trowell
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Picture a day like this (Limited Edition Full Score)
George Benjamin
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Violin Concerto ‘Concentric Paths’
Thomas Ades
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The Unfractured Faith of Erik Routley : From Brighton to Princeton
Nancy L. Graham
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Opera for Everyone : The Industry's Experiments with American Opera in the Digital Age
Megan Steigerwald Ille
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Protest Arts, Gender, and Social Change : Fiction, Popular Songs, and the Media in Hausa Society across Borders
Ousseina D. Alidou
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The Bastard Instrument : A Cultural History of the Electric Bass
Brian F. Wright
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Debussy in Context
Simon (Trinity College Dublin) Trezise
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The Cambridge Companion to Women Composers
Matthew (King's College London) Head
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Vaughan Williams in Context
Julian (West Chester University, Pennsylvania) Onderdonk
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The Cambridge Companion to Composition
Toby (Guildhall School of Music and Drama) Young
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Leonard Bernstein in Context
Elizabeth A. (Mount Allison University, Canada) Wells
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Whose Country Music? : Genre, Identity, and Belonging in Twenty-First-Century Country Music Culture
Paula J. Bishop
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Picture a Day Like This (full score)
George Benjamin
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Fraught Balance : The Embodied Politics of Dabke Dance Music in Syria
Shayna M. Silverstein
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