Music by Subscription : Composers and their Networks in the British Music-Publishing Trade, 1676–1820
Simon D.I. Fleming
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Cognate Music Theories : The Past and the Other in Musicology (Essays in Honor of John Walter Hill)
Ignacio Prats-Arolas
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Orpheus in the Academy : Monteverdi's First Opera and the Accademia degli Invaghiti
Joel (Boston Conservatory at Berklee, USA) Schwindt
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The Roman Sacred Music of Alessandro Scarlatti
Luca Della Libera
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Claudio Monteverdi’s Venetian Operas : Sources, Performance, Interpretation
Ellen Rosand
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Music, Place, and Identity in Italian Urban Soundscapes circa 1550-1860
Franco Piperno
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Music, Place, and Identity in Italian Urban Soundscapes circa 1550-1860
Franco Piperno
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Music, Books and Theatre in Eighteenth-Century Exton : A Context for Handel's 'Comus'
Colin Timms
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Music, Books and Theatre in Eighteenth-Century Exton : A Context for Handel's 'Comus'
Colin Timms
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Music and Musicians in Late Mughal India : Histories of the Ephemeral, 1748-1858
Katherine Butler Schofield
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Music and Musicians in Late Mughal India : Histories of the Ephemeral, 1748-1858
Katherine Butler Schofield
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Mendelssohn and the Genesis of the Protestant A Cappella Movement
Siegwart (Westmont College, California) Reichwald
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Mendelssohn and the Genesis of the Protestant A Cappella Movement
Siegwart Reichwald
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Mendelssohn and the Genesis of the Protestant A Cappella Movement
Siegwart Reichwald
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Music, Place, and Identity in Italian Urban Soundscapes circa 1550-1860
Franco Piperno
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Music and Musicians in Late Mughal India : Histories of the Ephemeral, 1748–1858
Katherine Butler (King's College London) Schofield
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Gregorio Ballabene’s Forty-eight-part Mass for Twelve Choirs (1772)
Florian Bassani
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Studies on Authorship in Historical Keyboard Music
Andrew Woolley
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Music, Books and Theatre in Eighteenth-Century Exton : A Context for Handel's ‘Comus’
Colin (University of Birmingham, UK) Timms
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