Cultural Histories of Noise, Sound and Listening in Europe, 1300-1918
Kirsten Gibson
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Felice Giardini and Professional Music Culture in Mid-Eighteenth-Century London
Cheryll Duncan
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Disinformation in Mass Media : Gluck, Piccinni and the Journal de Paris
Beverly Jerold
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The Routledge Research Companion to Johann Sebastian Bach
Robin Leaver
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The German Symphony between Beethoven and Brahms : The Fall and Rise of a Genre
Christopher Fifield
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Teaching Music History with Cases : A Teacher's Guide
Sara Haefeli
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Hearing Form : Musical Analysis With and Without the Score
Matthew (Texas Tech University, USA) Santa
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Anthology for Hearing Form : Musical Analysis With and Without the Score
Matthew (Texas Tech University, USA) Santa
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Evenings with the Orchestra : A Norton Companion for Concertgoers
D Kern Holoman
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Music for a Mixed Taste : Style, Genre, and Meaning in Telemann's Instrumental Works
Steven Zohn
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Mozart's Ghosts : Haunting the Halls of Musical Culture
Mark Everist
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Metric Manipulations in Haydn and Mozart : Chamber Music for Strings, 1787-1791
Danuta (Reader in Music, Reader in Music, The University of Sou Mirka
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Discoveries from the Fortepiano : A Manual for Beginners and Seasoned Performers
Donna Louise Gunn
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Changing the Score : Arias, Prima Donnas, and the Authority of Performance
Hilary Poriss
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The Reception of Bach's Organ Works from Mendelssohn to Brahms
Russell (Professor and College Organist, Professor and Colleg Stinson
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David Lewin's Morgengru? : Text, Context, Commentary
David Bard-Schwarz
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Whose Spain? : Negotiating "Spanish Music" in Paris, 1908-1929
Samuel Llano
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Silent Music : Medieval Song and the Construction of History in Eighteenth-Century Spain
Susan Boynton
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Haydn's Sunrise, Beethoven's Shadow : Audiovisual Culture and the Emergence of Musical Romanticism
Deirdre Loughridge
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Distant Cycles : Schubert and the Conceiving of Song
Richard Kramer
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The Keyboard Sonatas of Joseph Haydn : Instruments and Performance Practice, Genres and Styles
Laszlo Somfai
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