Four-Handed Monsters : Four-Hand Piano Playing and Nineteenth-Century Culture
Adrian Daub
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The Melody of Time : Music and Temporality in the Romantic Era
Benedict Taylor
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Classical Form : A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven
William E. Caplin
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Schumann's Virtuosity : Criticism, Composition, and Performance in Nineteenth-Century Germany
Alexander Stefaniak
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Max Reger and Karl Straube : Perspectives on an Organ Performing Tradition
Christopher Anderson
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Victorian Culture and Classical Antiquity : Art, Opera, Fiction, and the Proclamation of Modernity
Simon Goldhill
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Orchestrating the Nation : The Nineteenth-Century American Symphonic Enterprise
Douglas Shadle
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Mahler's Voices : Expression and Irony in the Songs and Symphonies
Julian Johnson
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Music as Discourse : Semiotic Adventures in Romantic Music
Kofi Agawu
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From the Clarinet D'Amour to the Contra Bass : A History of Large Size Clarinets, 1740-1860
Albert R. Rice
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Vanishing Sensibilities : Schubert, Beethoven, Schumann
Kristina Muxfeldt
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