Cognate Music Theories : The Past and the Other in Musicology (Essays in Honor of John Walter Hill)
Ignacio Prats-Arolas
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John Zorn’s File Card Works : Hypertextual Intermediality in Composition and Analysis
Maurice Windleburn
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John Zorn’s File Card Works : Hypertextual Intermediality in Composition and Analysis
Maurice Windleburn
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Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments : Trash Music
Rachel N. Becker
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Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments : Trash Music
Rachel N. Becker
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Streaming Sounds : Musical Listening in the Digital Age
Michael James Walsh
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Streaming Sounds : Musical Listening in the Digital Age
Michael James Walsh
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Intergenerational Conflict and Authentic Youth Experience : Adults Denigrating Young People
Barney Langford
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Intergenerational Conflict and Authentic Youth Experience : Adults Denigrating Young People
Barney Langford
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Resurrecting Song : A Pathway Forward for the Choral Art in the Time of Pandemics
Wendy K. Moy
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Resurrecting Song : A Pathway Forward for the Choral Art in the Time of Pandemics
Wendy K. Moy
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History as Fantasy in Music, Sound, Image, and Media
James (Edinburgh University) Cook
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History as Fantasy in Music, Sound, Image, and Media
James (Edinburgh University) Cook
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Music as Agency : Diversities of Perspectives on Artistic Citizenship
Maria Westvall
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Music as Agency : Diversities of Perspectives on Artistic Citizenship
Maria Westvall
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Navigating Stylistic Boundaries in the Music History Classroom : Crossover, Exchange, Appropriation
Esther M. Morgan-Ellis
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Navigating Stylistic Boundaries in the Music History Classroom : Crossover, Exchange, Appropriation
Esther M. Morgan-Ellis
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Land, Faith, and Voice : Christian Music in the Pacific Northwest
Alexander Rosenblatt
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