Pierre Cochereau : Organist of Notre-Dame
Dr Anthony W. Hammond
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Making Music at the Piano : Learning Strategies for Adult Students
Barbara English (Professor of Piano Performance and Pedagogy, P Maris
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Bel Canto : The Teaching of the Classical Italian Song-Schools, Its Decline and Restoration
Lucie Manen
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The Piano: A History
Cyril (Honorary Visiting Professor in Music, Honorary Visitin Ehrlich
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The Early Mandolin : The Mandolino and the Neapolitan Mandoline
James (Professor of Music and Director of Early Music Performan Tyler
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The Birth of the Orchestra : History of an Institution, 1650-1815
John (, Johns Hopkins University) Spitzer
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Musical Instruments : History, Technology, and Performance of Instruments of Western Music
Murray Campbell
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The Art of the Trumpet-Maker : The Materials, Tools, and Techniques of the Seventeenth and Eighteenth Centuries in Nuremberg
Robert (Senior Conservator, Ethnology, Senior Conservator, Et Barclay
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Makers of the Piano, Volume 2: 1820-1860
Martha Novak (Guest Lecturer, Music Division, Guest Lectur Clinkscale
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The Eloquent Oboe : A History of the Hautboy from 1640 to 1760
Bruce Haynes
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A Companion to Mozart's Piano Concertos
Arthur (late Professor of MusicUniversities of Durham and E Hutchings
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Musical Instruments : History, Technology, and Performance of Instruments of Western Music
Donald Murray (University of Edinburgh) Campbell
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Physics of the Piano
Nicholas J. (Department of Physics, Purdue University, USA) Giordano
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Musical Instruments of the Bible
Jeremy Montagu
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Shura Cherkassky : The Piano's Last Czar
Elizabeth Carr
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The Music and Life of Theodore "Fats" Navarro : Infatuation
Leif Bo Petersen
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A History of the Trombone
David M. Guion
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Horns and Trumpets of the World : An Illustrated Guide
Jeremy Montagu
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Three Centuries of Harpsichord Making
Frank Hubbard
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A Dictionary for the Modern Flutist
Susan J. Maclagan
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An Illustrated Dictionary for the Modern Trombone, Tuba, and Euphonium Player
Douglas Yeo
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The Viola da Gamba
Bettina Hoffmann
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The Performance Style of Jascha Heifetz
Dario Sarlo
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Studies in Historical Improvisation : From Cantare super Librum to Partimenti
Massimiliano Guido
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