The Final Rewrite : How to View Your Screenplay with a Film Editor's Eye
John Rosenberg
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William Faulkner at Twentieth Century-Fox : The Annotated Screenplays
Sarah Gleeson-White
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William Faulkner at Twentieth Century-Fox : The Annotated Screenplays
Sarah Gleeson-White
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Mama's Gun : Black Maternal Figures and the Politics of Transgression
David Marlo D. David
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Off the Page : Screenwriting in the Era of Media Convergence
Daniel Bernardi
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Omnibus Films : Theorizing Transauthorial Cinema
David Scott Diffrient
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Omnibus Films : Theorizing Transauthorial Cinema
David Scott Diffrient
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MediaWriting : Print, Broadcast, and Public Relations
W. Richard Whitaker
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Scriptwriting for Film, Television and New Media
Alan (Point Loma Nazarene University, USA) Hueth
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Woman-Centered Brazilian Cinema : Filmmakers and Protagonists of the Twenty-First Century
Jack A. Draper III
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Raindance Writers' Lab : Write + Sell the Hot Screenplay
Elliot Grove
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Raindance Writers' Lab : Write + Sell the Hot Screenplay
Elliot Grove
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Bad History and the Logics of Blockbuster Cinema : Titanic, Gangs of New York, Australia, Inglourious Basterds
P. McGee
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Psychoanalyzing Cinema : A Productive Encounter with Lacan, Deleuze, and Zizek
j. jagodzinski
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Media Representations of Police and Crime : Shaping the Police Television Drama
M. Colbran
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Writing Hollywood : The Work and Professional Culture of Television Writers
Patricia F. (George Washington University, USA) Phalen
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Writing Hollywood : The Work and Professional Culture of Television Writers
Patricia F. (George Washington University, USA) Phalen
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Format: eBook (PDF)