William Forsythe's Postdramatic Dance Theater : Unsettling Perception
Freya Vass
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The Public Intellectualism of Ralph Waldo Emerson and W.E.B. Du Bois : Emotional Dimensions of Race and Reform
R. Schneider
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Performance, Cognitive Theory, and Devotional Culture : Sensual Piety in Late Medieval York
J. Stevenson
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Shakespearean Neuroplay : Reinvigorating the Study of Dramatic Texts and Performance through Cognitive Science
A. Cook
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Evolving Hamlet : Seventeenth-Century English Tragedy and the Ethics of Natural Selection
A. Fletcher
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Cognition in the Globe : Attention and Memory in Shakespeare's Theatre
E. Tribble
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Toward a General Theory of Acting : Cognitive Science and Performance
J. Lutterbie
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Trusting Performance : A Cognitive Approach to Embodiment in Drama
N. Rokotnitz
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Engaging Audiences : A Cognitive Approach to Spectating in the Theatre
B. McConachie
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Graphing Jane Austen : The Evolutionary Basis of Literary Meaning
J. Carroll
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Theatre/Ecology/Cognition : Theorizing Performer-Object Interaction in Grotowski, Kantor, and Meyerhold
T. Paavolainen
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A Cognitive Approach to John Donne's Songs and Sonnets
M. Winkleman
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Bewitched and Bedeviled : A Cognitive Approach to Embodiment in Early English Possession
K. Uszkalo
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Kinaesthesia and Visual Self-Reflection in Contemporary Dance
Shantel Ehrenberg
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Drama, Politics, and Evolution : Cliodynamics in Play
Bruce McConachie
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The Early Evolutionary Imagination : Literature and Human Nature
Emelie Jonsson
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Restoring the Human Context to Literary and Performance Studies : Voices in Everything
Howard Mancing
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Cognition, Mindreading, and Shakespeare's Characters
Nicholas R. Helms
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Enacting Lecoq : Movement in Theatre, Cognition, and Life
Maiya Murphy
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Cognitive Approaches to German Historical Film : Seeing is Not Believing
Jennifer Marston William
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Shakespeare and Conceptual Blending : Cognition, Creativity, Criticism
Michael Booth
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Movement in Renaissance Literature : Exploring Kinesic Intelligence
Kathryn Banks
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