Shakespeare and (Eco-)Performance History : The Merry Wives of Windsor
Elizabeth Schafer
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From Playtext to Performance on the Early Modern Stage : How Did They Do It?
Leslie Thomson
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Shakespeare’s Hobby-Horse and Early Modern Popular Culture
Natalia Pikli
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Negotiating Shakespeare's Language in Romeo and Juliet : Reading Strategies from Criticism, Editing and the Theatre
Lynette Hunter
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Restoration Staging, 1660-74
Tim Keenan
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Unruly Audiences and the Theater of Control in Early Modern London
Eric Dunnum
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Teachers in Early Modern English Drama : Pedagogy and Authority
Jean Lambert
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Thomas Heywood's Theatre, 1599-1639 : Locations, Translations, and Conflict
Richard Rowland
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Teachers in Early Modern English Drama : Pedagogy and Authority
Jean Lambert
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Christopher Marlowe and the Failure to Unify
Andrew Duxfield
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Venus’s Palace : Shakespeare and the Antitheatricalists
Reut Barzilai
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Imitation and Contamination of the Classics in the Comedies of Ben Jonson : Guides Not Commanders
Tom Harrison
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Strangeness in Jacobean Drama
Callan Davies
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Strangeness in Jacobean Drama
Callan Davies
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Shakespeare’s Hobby-Horse and Early Modern Popular Culture
Natalia Pikli
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The Self-Centred Art : Ben Jonson's Parts in Performance
Jakub Boguszak
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The Self-Centred Art : Ben Jonson's Parts in Performance
Jakub Boguszak
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Consent in Shakespeare : What Women Do and Don’t Say and Do in Shakespeare’s Mediterranean Comedies and Origin Stories
Artemis (Loyola University, USA) Preeshl
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Portraits in Early Modern English Drama : Visual Culture, Play-Texts, and Performances
Emanuel Stelzer
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Representations of Flemish Immigrants on the Early Modern Stage
Peter Matthew McCluskey
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Drama and the Politics of Generational Conflict in Shakespeare's England
Stephannie Gearhart
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The Children's Troupes and the Transformation of English Theater 1509-1608 : Pedagogue, Playwrights, Playbooks, and Play-boys
Jeanne McCarthy
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James Shirley and Early Modern Theatre : New Critical Perspectives
Barbara Ravelhofer
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Digital Humanities and the Lost Drama of Early Modern England : Ten Case Studies
Matthew Steggle
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