Love in Contemporary Cinema : Audiences and Representations of Romance
Benjamin de la Pava Velez
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Trans New Wave Cinema
Akkadia (Southern Cross University, Australia) Ford
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Flashbacks in Film : A Cognitive and Multimodal Analysis
Adriana Gordejuela
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Australian Genre Film
Kelly McWilliam
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Breaking Down Joker : Violence, Loneliness, Tragedy
Sean (Deakin University, Australia) Redmond
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Philosophical Theories of Political Cinema
Angelo Emanuele Cioffi
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Horror Franchise Cinema
Mark (Bournemouth University, UK) McKenna
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Ethics of Cinematic Experience : Screens of Alterity
Orna Raviv
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Re-reading the Monstrous-Feminine : Art, Film, Feminism and Psychoanalysis
Nicholas Chare
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Ageing Masculinities in Contemporary European and Anglophone Cinema
Tony (NUI Galway, Ireland) Tracy
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Why We Remake : The Politics, Economics and Emotions of Film and TV Remakes
Lauren Rosewarne
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Ageing Masculinities in Contemporary European and Anglophone Cinema
Tony (NUI Galway, Ireland) Tracy
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Tony (NUI Galway, Ireland) Tracy
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Landscape and Memory in Post-Fascist Italian Film : Cinema Year Zero
Giuliana Minghelli
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Cine-Ethics : Ethical Dimensions of Film Theory, Practice, and Spectatorship
Jinhee Choi
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Masculinity in the Contemporary Romantic Comedy : Gender as Genre
John Alberti
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Distributing Silent Film Serials : Local Practices, Changing Forms, Cultural Transformation
Rudmer Canjels
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Japanese Horror Films and their American Remakes
Valerie Wee
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The Politics of Age and Disability in Contemporary Spanish Film : Plus Ultra Pluralism
Matthew J. Marr
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Postfeminism and Paternity in Contemporary US Film : Framing Fatherhood
Hannah Hamad
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Theorizing Film Acting
Aaron Taylor
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Melodrama, Self and Nation in Post-War British Popular Film
Johanna Laitila
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