Frauenliebe und Leben : Chamisso's Poems and Schumann's Songs
Rufus (Rutgers University, New Jersey) Hallmark
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Mozart's Requiem : Reception, Work, Completion
Simon P. (University of Sheffield) Keefe
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Beethoven's Theatrical Quartets : Opp. 59, 74 and 95
Nancy (University of Auckland) November
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Beethoven's Theatrical Quartets : Opp. 59, 74 and 95
Nancy (University of Auckland) November
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The Operas of Maurice Ravel
Emily Kilpatrick
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Manuscripts and Medieval Song : Inscription, Performance, Context
Helen (Royal Holloway, University of London) Deeming
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The Requiem of Tomas Luis de Victoria (1603)
Owen (University of Oxford) Rees
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Polyphony in Medieval Paris : The Art of Composing with Plainchant
Catherine A. (Universitetet i Oslo) Bradley
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Delius and the Sound of Place
Daniel M. (University of Oxford) Grimley
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The Monstrous New Art : Divided Forms in the Late Medieval Motet
Anna (Yale University, Connecticut) Zayaruznaya
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Brahms's Elegies : The Poetics of Loss in Nineteenth-Century German Culture
Nicole (University of California, Irvine) Grimes
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Composing Community in Late Medieval Music : Self-Reference, Pedagogy, and Practice
Jane D. (University of Utah) Hatter
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Frauenliebe und Leben : Chamisso's Poems and Schumann's Songs
Rufus (Rutgers University, New Jersey) Hallmark
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Music behind the Iron Curtain : Weinberg and his Polish Contemporaries
Daniel (Royal Holloway, University of London) Elphick
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The Quilting Points of Musical Modernism : Revolution, Reaction, and William Walton
J. P. E. (Royal Holloway, University of London) Harper-Scott
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Mozart's Requiem : Reception, Work, Completion
Simon P. (University of Sheffield) Keefe
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The Monstrous New Art : Divided Forms in the Late Medieval Motet
Anna (Yale University, Connecticut) Zayaruznaya
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Olivier Messiaen's Catalogue d'oiseaux : From Conception to Performance
Roderick (Royal Academy of Music, London) Chadwick
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