Segregating Sound : Inventing Folk and Pop Music in the Age of Jim Crow PDF
by Miller Karl Hagstrom Miller
Part of the Refiguring American Music series
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In a cultural history filled with musicians, listeners, scholars, and business people, Miller describes how folklore studies and the music industry helped to create a "musical color line," a cultural parallel to the physical color line that came to define the Jim Crow South. Segregated sound emerged slowly through the interactions of southern and northern musicians, record companies that sought to penetrate new markets across the South and the globe, and academic folklorists who attempted to tap southern music for evidence about the history of human civilization. Contending that people's musical worlds were defined less by who they were than by the music that they heard, Miller challenges assumptions about the relation of race, music, and the market.
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- Format:PDF
- Pages:384 pages
- Publisher:Duke University Press
- Publication Date:11/02/2010
- Category:
- ISBN:9780822392705
Information
-
Download Now
- Format:PDF
- Pages:384 pages
- Publisher:Duke University Press
- Publication Date:11/02/2010
- Category:
- ISBN:9780822392705