Photography After Conceptual Art
Diarmuid (University of Warwick, UK) Costello
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Difference and Excess in Contemporary Art : The Visibility of Women's Practice
Gill (Open University) Perry
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The Metropolis and its Image : Constructing Identities for London, c. 1750-1950
Dana (University of Southampton) Arnold
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About Michael Baxandall
Adrian Rifkin
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Tracing Architecture : The Aesthetics of Antiquarianism
Dana (University of Southampton) Arnold
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Objects in Motion in the Early Modern World
Daniela (University of Southern California, USA) Bleichmar
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Art and Technology in Early Modern Europe
Richard Taws
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Material Imagination : Art in Europe, 1946-72
Natalie Adamson
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Art and Religious Reform in Early Modern Europe
Bridget Heal
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Fingering Ingres
Susan (University of Leeds) Siegfried
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Other Objects of Desire : Collectors and Collecting Queerly
Michael (Late of University of Chicago) Camille
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Art: History: Visual: Culture
Deborah (University of the Arts, London) Cherry
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Between Luxury and the Everyday : Decorative Arts in Eighteenth-Century France
Katie (Courtauld Institute of Art, London) Scott
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Location
Deborah (University of the Arts, London) Cherry
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About Stephen Bann
Deborah (University of the Arts, London) Cherry
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Spectacle and Display
Deborah (University of the Arts, London) Cherry
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About Mieke Bal
Deborah (University of the Arts, London) Cherry
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British Art in the Cultural Field, 1939-69
Lisa Tickner
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The Erotics of Looking : Early Modern Netherlandish Art
Angela Vanhaelen
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The Clever Object
Matthew C. Hunter
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Theorizing Imitation in the Visual Arts : Global Contexts
Paul (University of Rochester, New York, USA) Duro
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Theatricality in Early Modern Art and Architecture
Caroline (Leiden University, The Netherlands) van Eck
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Creative Writing and Art History
Catherine (Courtauld Institute of Art and Goldsmiths, Universit Grant
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