The Group Theatre : Passion, Politics, and Performance in the Depression Era
Kenneth A. Loparo
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W. C. Fields from Burlesque and Vaudeville to Broadway : Becoming a Comedian
A. Wertheim
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Entertaining Children : The Participation of Youth in the Entertainment Industry
G. Arrighi
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Cultivating National Identity through Performance : American Pleasure Gardens and Entertainment
N. Stubbs
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Class Divisions on the Broadway Stage : The Staging and Taming of the I.W.W.
M. Schwartz
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The New Humor in the Progressive Era : Americanization and the Vaudeville Comedian
R. DesRochers
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Staging the Slums, Slumming the Stage : Class, Poverty, Ethnicity, and Sexuality in American Theatre, 1890-1916
J. Westgate
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Baggy Pants Comedy : Burlesque and the Oral Tradition
A. Davis
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America's First Regional Theatre : The Cleveland Play House and Its Search for a Home
J. Ullom
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American Playwriting and the Anti-Political Prejudice : Twentieth- and Twenty-First-Century Perspectives
N. Pressley
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Performance Reconstruction and Spanish Golden Age Drama : Reviving and Revising the Comedia
L. Vidler
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The Theatre of the Occult Revival : Alternative Spiritual Performance from 1875 to the Present
E. Lingan
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The Britannia Panopticon Music Hall and Cosmopolitan Entertainment Culture
Paul Maloney
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Child Labor in the British Victorian Entertainment Industry : 1875-1914
Dyan Colclough
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The Education of a Circus Clown : Mentors, Audiences, Mistakes
David Carlyon
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Performing Race and Erasure : Cuba, Haiti, and US Culture, 1898-1940
Shannon Rose Riley
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Popular Theatre and Political Utopia in France, 1870-1940 : Active Citizens
Jessica Wardhaugh
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Performing Bodies in Pain : Medieval and Post-Modern Martyrs, Mystics, and Artists
M. Carlson
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Early-Twentieth-Century Frontier Dramas on Broadway : Situating the Western Experience in Performing Arts
R. Wattenberg
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Mei Lanfang and the Twentieth-Century International Stage : Chinese Theatre Placed and Displaced
M. Tian
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