The Improv Handbook : The Ultimate Guide to Improvising in Comedy, Theatre, and Beyond
Tom Salinsky
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The Actor Speaks : Voice and the Performer
Patsy (Guildhall School of Music and Drama, UK) Rodenburg
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The Actor Speaks : Voice and the Performer
Patsy (Guildhall School of Music and Drama, UK) Rodenburg
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The Theatre of the Oppressed in Practice Today : An Introduction to the Work and Principles of Augusto Boal
Ali Campbell
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The Theatre of the Oppressed in Practice Today : An Introduction to the Work and Principles of Augusto Boal
Ali Campbell
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The Singer Acts, The Actor Sings : A Practical Workbook to Living Through Song, Vocally and Dramatically
Glenn Seven Allen
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The Singer Acts, The Actor Sings : A Practical Workbook to Living Through Song, Vocally and Dramatically
Glenn Seven Allen
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Performer Training Reconfigured : Post-Psychophysical Perspectives for the Twenty-First Century
Frank (University of Malta, Malta) Camilleri
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Performer Training Reconfigured : Post-Psychophysical Perspectives for the Twenty-First Century
Frank (University of Malta, Malta) Camilleri
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Voice into Acting : Integrating Voice and the Stanislavski Approach
Christina (University of Essex, UK) Gutekunst
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Voice into Acting : Integrating Voice and the Stanislavski Approach
Christina Gutekunst
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Voice into Acting : Integrating Voice and the Stanislavski Approach
Christina Gutekunst
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Michael Chekhov’s Acting Technique : A Practitioner’s Guide
Sinead (Central School of Speech and Drama, UK) Rushe
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Michael Chekhov s Acting Technique : A Practitioner s Guide
Sin ad Rushe
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Michael Chekhov s Acting Technique : A Practitioner s Guide
Sin ad Rushe
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