Signaturen : Auktoriale Prasenz zwischen Schrift und Bild, 1400–1700
Alessandro Della Latta
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Restoration as Fabrication of Origins : A Material and Political History of Italian Renaissance Art
Henri de Riedmatten
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Das Belvedere. 300 Jahre Ort der Kunst
Stella Rollig
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The Belvedere: 300 Years a Venue for Art
Stella Rollig
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The Sale of the Late King's Goods : Charles I and His Art Collection
Jerry Brotton
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Decadence: A Very Short Introduction
David (Professor Emeritus of Comparative Literature, Professor E Weir
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Enlightened Princesses : Caroline, Augusta, Charlotte, and the Shaping of the Modern World
Joanna Marschner
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Francisco de Goya
Ioana Jimborean
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Krishna in the Garden of Assam : The history and context of a much-travelled textile
T. Richard Blurton
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Velazquez : Masters of Art
Rosa Giorgi
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The Origins of Baroque Art in Rome
. Reigl
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Gardens of Court and Country : English Design 1630-1730
David Jacques
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Ottoman Baroque : The Architectural Refashioning of Eighteenth-Century Istanbul
Unver Rustem
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Rembrandt's Hundred Guilder Print : His Master Etching
Amy Golahny
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Venice and Drawing 1500-1800 : Theory, Practice and Collecting
Catherine Whistler
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Rembrandt. The Painter Thinking
Ernst van de Wetering
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Why Does Tragedy Give Pleasure?
A. D. (Professor of English and Fellow, Professor of English Nuttall
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The Print in Early Modern England : An Historical Oversight
Malcolm Jones
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Social History of Art, Volume 3 : Rococo, Classicism and Romanticism
Arnold Hauser
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Theories of Art : 2. From Winckelmann to Baudelaire
Moshe Barasch
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Architecture and Geometry in the Age of the Baroque
George L. Hersey
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The Painter's Touch : Boucher, Chardin, Fragonard
Ewa Lajer-Burcharth
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Rembrandt's Roughness
Nicola Suthor
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Baroque between the Wars : Alternative Style in the Arts, 1918-1939
Jane (Senior Research Fellow at Campion Hall, University of Stevenson
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