Commedia dell’Arte for the 21st Century : Practice and Performance in the Asia-Pacific
Corinna (University of South Australia, Australia) Di Niro
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Lessons from our Students : Meditations on Performance Pedagogy
Stacey Cabaj
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The Professional Actor's Handbook : From Casting Call to Curtain Call
Julio Agustin
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Mysticism in the Theater : What’s Needed Right Now
Tom Block
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Aesthetic Collectives : On the Nature of Collectivity in Cultural Performance
Andrew Wiskowski
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Deburau : Pierrot, Mime, and Culture
Edward Nye
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Antiracism in Ballet Teaching
Kate Mattingly
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Innovation & Digital Theatremaking : Rethinking Theatre with “The Show Must Go Online”
Robert Myles
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From Playtext to Performance on the Early Modern Stage : How Did They Do It?
Leslie Thomson
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Stanislavsky and Intimacy
Joelle Re Arp-Dunham
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The Art of Voice Acting : The Craft and Business of Performing for Voiceover
James R. Alburger
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Improvisation the Michael Chekhov Way : Active Exploration of Acting Techniques
Wil Kilroy
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The Third Space : Body, Voice, and Imagination
Robert (Charles Sturt University, Australia) Lewis
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Voice Made Visible: Multi-Octave Voice Training and Techniques for Performers
Rafael Lopez-Barrantes
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To the Actor : On the Technique of Acting
Michael Chekhov
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Systems of Rehearsal : Stanislavsky, Brecht, Grotowski, and Brook
Shomit Mitter
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Improvisation for the Theater
Viola Spolin
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The Expressive Actor : Integrated Voice, Movement and Acting Training
Michael (University of Nevada, USA) Lugering
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Award Monologues for Women
Patrick (The Original Shakespeare Company, London, UK) Tucker
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Acting with Passion : A Performer's Guide to Emotions on Cue
Niki Flacks
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Breath in Action : The Art of Breath in Vocal and Holistic Practice
Katya Bloom
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The Art of the Actor : The Essential History of Acting from Classical Times to the Present Day
Jean Benedetti
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The Professional Actor's Handbook : From Casting Call to Curtain Call
Julio Agustin
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Making a Leap - Theatre of Empowerment : A Practical Handbook for Creative Drama Work with Young People
Anna Herrmann
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