How to Swing in Musical Theatre : A Guide to Covering the Ensemble
Jaye J. Elster
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Experiencing Accents: A Knight-Thompson Speechwork® Guide for Acting in Accent
Philip Thompson
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Federico Garcia Lorca
Simon Breden
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Peter Brook and the Mahabharata : Critical Perspectives
David Williams
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Poison, Play, and Duel : A Study in Hamlet
Nigel Alexander
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Pre-OrderVocal Traditions : Training in the Performing Arts
Rockford Sansom
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How to Read a Play : Script Analysis for Directors
Damon (DePaul University, USA) Kiely
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Critical Acting Pedagogy : Intersectional Approaches
Lisa Peck
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Theatrical Violence Design : Safety, Illusion, and Story in Stage Combat Choreography
Richard Gilbert
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Why Do Actors Train? : Embodiment for Theatre Makers and Thinkers
Brad (Hunter College, USA) Krumholz
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The Director's Craft : A Handbook for the Theatre
Katie (The Royal National Theatre, UK) Mitchell
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How To Stop Acting
Harold Guskin
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The Body Speaks : Performance and physical expression
Lorna Marshall
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And Then, You Act : Making Art in an Unpredictable World
Anne (Siti Theatre Company New York, USA) Bogart
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Acting Stanislavski : A practical guide to Stanislavski’s approach and legacy
John (Independent scholar, UK) Gillett
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The Lee Strasberg Notes
Lola Cohen
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Movement Training for Actors
Jackie (Senior Lecturer, Manchester School of Art) Snow
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Actor Movement : Expression of the Physical Being
Vanessa (Central School of Speech and Drama, UK) Ewan
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Theatre Games : A New Approach to Drama Training
Clive Barker
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Michael Chekhov’s Acting Technique : A Practitioner’s Guide
Sinead (Central School of Speech and Drama, UK) Rushe
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Games for Actors and Non-Actors
Augusto Boal
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Speech and Drama
Rudolf Steiner
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The Method Acting Exercises Handbook
Lola Cohen
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Speaking With Skill : An Introduction to Knight-Thompson Speech Work
Dudley Knight
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