The Expressive Actor : Integrated Voice, Movement and Acting Training
Michael Lugering
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In Rehearsal : In the World, in the Room, and On Your Own
Gary Sloan
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Experiencing Stanislavsky Today : Training and Rehearsal for the Psychophysical Actor
Stephanie (East Stroudsberg University, USA) Daventry French
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Integrative Performance : Practice and Theory for the Interdisciplinary Performer
Experience Bryon
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African Accents : A Workbook for Actors
Beth McGuire
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Arthur Lessac's Embodied Actor Training
Melissa (Independent Theatre & Performance Scholar) Hurt
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Theatre and Boxing : The Actor who Flies
Franco Ruffini
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Creating Solo Performance
Sean Bruno
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Acting with Grotowski : Theatre as a Field for Experiencing Life
Zbigniew Cynkutis
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The Method Acting Exercises Handbook
Lola Cohen
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The Actor, Image, and Action : Acting and Cognitive Neuroscience
Rhonda Blair
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Theatre Arts on Acting
Laurence (Tufts University, USA) Senelick
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Stanislavsky in Focus : An Acting Master for the Twenty-First Century
Sharon Marie (University of Southern California, USA) Carnicke
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Acting Shakespeare is Outrageous! : Playing the Bard for Beginners
Herb (Associate Professor, the Division of Theatre and Dance, Parker
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The Politics of American Actor Training
Ellen (Pacific University) Margolis
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The Actor Training Reader
MARK (Coventry University, UK) EVANS
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Acting from Shakespeare's First Folio : Theory, Text and Performance
Don (Tufts University, USA) Weingust
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Crossing Cultural Borders Through the Actor's Work : Foreign Bodies of Knowledge
Claudia Tatinge Nascimento
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Acting One
Robert Cohen
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The Eloquent Shakespeare : A Pronouncing Dictionary for the Complete Dramatic Works with Notes to Untie the Modern Tongue
Gary Logan
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The Idea of the Actor
William B. Worthen
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Sarah Bernhardt : The Art Within the Legend
Gerda Taranow
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Moves : A Sourcebook of Ideas for Body Awareness and Creative Movement
Katya Bloom
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Stanislavsky in Focus : An Acting Master for the Twenty-First Century
Sharon Marie (University of Southern California, USA) Carnicke
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