In Rehearsal : In the World, in the Room, and On Your Own
Gary Sloan
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Experiencing Stanislavsky Today : Training and Rehearsal for the Psychophysical Actor
Stephanie Daventry French
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Integrative Performance : Practice and Theory for the Interdisciplinary Performer
Experience Bryon
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African Accents : A Workbook for Actors
Beth McGuire
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Arthur Lessac's Embodied Actor Training
Melissa (Independent Theatre & Performance Scholar) Hurt
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Theatre and Boxing : The Actor who Flies
Franco Ruffini
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Creating Solo Performance
Sean Bruno
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Acting with Grotowski : Theatre as a Field for Experiencing Life
Zbigniew Cynkutis
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The Method Acting Exercises Handbook
Lola Cohen
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The Actor, Image, and Action : Acting and Cognitive Neuroscience
Rhonda Blair
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Theatre Arts on Acting
Laurence (Tufts University, USA) Senelick
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Stanislavsky in Focus : An Acting Master for the Twenty-First Century
Sharon Marie Carnicke
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Acting Shakespeare is Outrageous! : Playing the Bard for Beginners
Herb (Associate Professor, the Division of Theatre and Dance, Parker
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The Politics of American Actor Training
Ellen (Pacific University) Margolis
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The Actor Training Reader
MARK (Coventry University, UK) EVANS
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Acting from Shakespeare's First Folio : Theory, Text and Performance
Don (Tufts University, USA) Weingust
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Crossing Cultural Borders Through the Actor's Work : Foreign Bodies of Knowledge
Claudia Tatinge Nascimento
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Interchangeable Parts : Acting, Industry, and Technology in US Theater
Victor Holtcamp
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Actresses on the Victorian Stage : Feminine Performance and the Galatea Myth
Gail (University of Leeds) Marshall
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Performance and Literature in the Commedia dell'Arte
Robert (Washington University, St Louis) Henke
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The Cambridge Encyclopedia of Stage Actors and Acting
Simon (University of California, Santa Barbara) Williams
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Speech and Performance in Shakespeare's Sonnets and Plays
David (University of Cape Town) Schalkwyk
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Acting One
Robert Cohen
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