Intimacy Directing for Theatre : Creating a Culture of Consent in the Classroom and Beyond
. Ayshia Mackie-Stephenson
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The Craft of Screen Acting
Amanda Brennan
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Contemporary British Musicals: ‘Out of the Darkness’
Clare Chandler
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The Great European Stage Directors Set 1 : Volumes 1-4: Pre-1950
Simon (Royal Central School of Speech & Drama, University of Shepherd
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The Great European Stage Directors Set 2 : Volumes 5-8: Post-1950
Simon (Royal Central School of Speech & Drama, University of Shepherd
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The Art of Broadsword Fighting for Stage and Screen : An Actor’s and Director’s Guide to Staged Violence
Erick Vaughn Wolfe
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Towards Embodied Performance : Directing and the Art of Composition
Rachel Dickstein
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Career Paths of African American Directors : Pushing Boundaries
Saundra McClain
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The Canon in Contemporary Theatre : Plays by Shakespeare, Ibsen, and Brecht in Contemporary Directors’ Theatre
Lars Harald Maagerø
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The Intimacy Coordinator's Guidebook : Specialties for Stage and Screen
Brooke M. Haney
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To Repair the World : Zelda Fichandler and the Transformation of American Theater
Mary B. Robinson
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Creative Production and Management in the Performing Arts : Modus Operandi
Vania Rodrigues
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DreamWork: A Training for Directors
David (Tel Aviv University, Israel) Zinder
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The Playboy of the Western World - A New Version : A Critical Edition
Bisi Adigun
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Classic-ing on the Australian mainstream stage : The place and phenomenon of classic in Australian mainstream theatre 1995-2016
Susan McClements Wyss
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Following the Score : The Ravel Trilogy
Michael (University of Lincoln) Pinchbeck
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Engaging with Brecht : Making Theatre in the Twenty-first Century
Bill Gelber
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Performance Costume : New Perspectives and Methods
Professor Sofia (Aalto University, Finland) Pantouvaki
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Directing Scenes and Senses : The Thinking of Regie
Peter Boenisch
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Ivo van Hove : From Shakespeare to David Bowie
Professor Sonia (Sapienza, University of Rome, Italy, and King Massai
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Lightwork : Texts on and from Collaborative Multimedia Theatre
Alex (Guildhall School of Music and Drama) Mermikides
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Engaging with Brecht : Making Theatre in the 21st Century
Bill Gelber
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Innovation & Digital Theatremaking : Rethinking Theatre with “The Show Must Go Online”
Robert Myles
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Stage Management Theory as a Guide to Practice : Cultivating a Creative Approach
Lisa Porter
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